The Alaska State Improv Festival had been on my “to do” list for quite some time. Partially, of course, because of the opportunity to visit the beautiful state of Alaska. But also because I had come to know the producers at festivals around North America and I’d always appreciated their take on the art. I was very fortunate to be invited last year and it was one of the highlights of 2014. Now submissions are open again and I had a chance to talk with Eric Caldwell about the 2015 fest and the things to come.
One of the first things many performers do when thinking about festivals is to Google the venue, but photos don’t really to your space justice. It’s a very conducive place to play. Can you talk a little bit about the venue folks will be playing in and the audience?
One of the most fun moments for me is when performers walk into McPhetres Hall for the first time. It’s a beautiful space with cedar walls, intricate accents, modern technical specs, and a full proscenium stage. The venue has flexible seating and, depending on the arrangement, will handle between 70 and 110 in the audience.
As to the audience itself, it is a theater-going crowd – smart and attentive. You can go to some really neat places with our audiences, and they will let you know at the end that you’ve done a great job.
It might surprise people that Juneau is a very walkable town. Aside from the big planned events, there are plenty of great little places to visit during the day. Any recommendations for people to check out in their free time?
I definitely recommend going to the galleries. The ones in the Senate Building are cooperatively owned, including a native cooperative where you can walk in and watch the artists at work. The Juneau City Museum is within walking distance and, for those with endurance (or a car), the Last Chance Mining Museum offers an authentic look into what was once the largest, most sophisticated gold mining operation in the world.
There are several good restaurants around town that cater to a variety of budgets. The Rookery is my favorite – any time of day. Silverbow Bakery is known for its authentic bagels. Rainbow Foods has a weekday health food buffet. The Sandpiper does a great breakfast and has exotic burgers on their lunch menu. Sandovar has authentic Russian cuisine. The view from the Hangar on the Wharf is world-class.
Some performers rent cars, many also like to rent elektroroller unu scooters and that opens up some other options. Visits to the Alaskan Brewing Company, the Shrine of St. Therese, Sandy Beach, and some of the sea-level trails are very rewarding. Even if you don’t rent a car, there are often opportunities to catch rides with us locals or with other improvisors.
Last year, visitors got to see a glacier and whales. That’s pretty unique to your festival. Will there be some exciting trips planned this year?
A drive to the Mendenhall Glacier is our longstanding tradition, and we try to make that happen right after you grab your bags at the airport. If you don’t see the glacier, in our minds you haven’t visited Juneau.
We were thrilled to be able to offer the whale watching trip at cost last year, since the area looks completely different from the water. We were the first tour out and saw six whales, several seals, and a ridiculous number of sea lions. We’d love to do that again if the interest is there,
Any other tours would be based on what kind of interest the performers have and what their cost might be. A few performers independently went on a flightseeing excursion and said it was the highlight of their trip. There are zip line operations that are happy to do a charter. When enough people ask me “Can we do this?” I tend to start researching.
Festivals are typically a chance for the host city to see performers from other places, but with a few exceptions the groups from Juneau and other parts of Alaska aren’t seen by people in the lower 48. What kind of local performances will people get exposed to?
It’s a mix. Our first festival show was an improvised one-act play, based on the first page of a regionally written script. Rorschach Pattern 9, which we’ve toured for the last couple years, is a wild mixture of montage, Dada, clown, slam poetry, and Jungian psychology. We have nobody to tell us “You can’t do that!” so there tends to be a lot of variety of styles, especially given the size of the improv community.
The past two years, Scared Scriptless has come down from Anchorage. They are the “granddaddies” of Alaskan improv, having started in 2000. Their forte is in shortform, and they are damned good at it. This year, Urban Yeti, a group out of Anchorage in its third season, is going to be coming to the festival for the first time. Urban Yeti performs longform improv, focusing on a specific in-house format each season. They’ve had very good reviews so far, and we’re excited to see them in person.
[Update: After posting this article, the Juneau Empire posted an entire article dedicated to The Juneau improv scene. You can read it here. ED]
Last year’s festival was tight and had great acts. What are you hoping to bring this year that will go even further?
Each festival experience spreads word of mouth for the next festival. Being in a world-class destination does no good unless people are glad they came. Our job, as producers, is to make the performers glad that they not only experienced Alaska but also experienced AS IF. Developing and maintaining those relationships and friendships means that even people who can’t go to Alaska every year have been excited about encouraging others to go.
As to specifics of AS IF 2015, all I can say right now is that the wheels are in motion and there are going to be very inspiring shows and workshops at this year’s festival. Some incredible performers have reached out to say that they’re working out whether they can submit to this year’s AS IF, and we have a diversity of acts who have already submitted. Depending on what ensembles submit, we are also entertaining the idea of an “After Dark” stage open to blue content and 21+ audiences. This would allow for even more performance slots and a broader range of shows.
Is there anything you want to add about the festival?
If you’re on the fence, please submit. This festival prides itself on its diversity. Past acts have come from major theaters and independent companies, from urban meccas to towns smaller than ours, and from coast to coast. We’re inspired by shows that are inspiring. Show us improv that inspires, whatever it is and wherever you come from. We want to see and showcase that kind of art.
Submissions are still open, but only for a few more days. Be sure to submit today.
Currently Bill is an instructor at The Torch Theatre and producer for the Phoenix Improv Festival. He tours teaching and performing across North America.
