Train at as Many Places as Possible

I’ve been thinking about this a lot lately and after reading Mick Napier’s blog, which you should check out. When I was reading the blog I kept thinking to myself why you should train at as many places as you can. Two of those reasons are:

1: To see what theater’s philosophy you click with the most and…

2: To fill those improv gaps that theaters can’t fill.

In Mick’s blog he accurately points out the missing elements of each major improv theater, including his own. Does that mean they’re bad…Hell no. That just means they focus on different philosophies, which they all do really well. It’s just when you focus on a certain way of improv other things may get lost in the shuffle or slip in the cracks.

When I was going through acting school there was different methods you tried, Stanislavsky, Meisner, Chekov. But I, for some reason, gravitated toward Meisner. But again, I’m glad I had the others as training because even Meisner has some holes too and I was able to access the others to help me get through those moments. Meisner was my main focus that I connected to, but I was able to use the other methods if I needed them.

It never hurts to try iO, Second City, The Annoyance, Groundlings, ComedySportz, UCB or whatever theaters are in your hometown. There are usually more than one theater in each major city now. Go try them all! You’d do yourself a disservice if you didn’t. You don’t have to go to all of them but at least try two or three. Ask your friends what they think of each place and see if it’s something that interests you. Or go see a show at the theater and see if the work they are presenting is something you like. Then take a class.

I’ve  heard some theaters have Non-Compete clauses for their performers…Meaning they don’t allow their performers to play anywhere else. This always hurts when I see this, first off in most states it’s illegal unless you are a full-time paid employee of that theater. But more importantly it hurts the performer. A well rounded performer is a better performer and a better improvisor. If you look at the great improvisors, Craig Cackowski, Tina Fey, Tj and Dave, they have all had training at different theaters. And guess what they still perform at those theaters when they can.

I’d love to hear your experiences on this matter please feel free to drop a line and tell us your experiences, successes and failures of training at different theaters.

Nick Armstrong

Nick is Camp Director and Founder of Improv Utopia an improv retreat for adults in California and Pennsylvania. He is also one of the founding members of the National Improv Network and performer and teacher at iO West. He has also taught workshops around the country. We are always looking for better ways to serve the community. Drop us a line and let us know what you want! To e-mail nick e-mail nick@nationalimprovnetwork.com. For more information visit: http://www.nickarmstrong.com or http://www.improvutopia.com

16 Tips and Advice for Students of Improv

brain

“My mother said to me, ‘If you become a soldier you’ll be a general; if you become a monk you’ll end up as the Pope.’ Instead, I became a painter and wound up as Picasso.” – Pablo Picasso

Students of Improv! You’re going to be okay! Art is hard! Long form is an art that requires patience. You will not get it overnight nor will you get it the next day. A typical 8 week class usually goes like this from a students POV, “I get it, Oh shit, I’m in my head, I get it! I’m lost, I get it, I hate improv I’m never going to get it, WOW I get it!” and so on. Oh this can happen to vets too, nobody is safe from the ups and downs of improv.

Below is a list of things to maybe help ease your fears and give you some friendly tips and advice to help you get through it all. Think of it as free improv therapy.

  1. You can’t be perfect at improv, so don’t worry about it.
  2. You’re not going to get it.
  3. You’re your own worst enemy.
  4. You’re going to live in your head for a while. It’s class you’re learning.
  5. There is no right or wrong so just try everything.
  6. Take direction. They are teachers for a reason.
  7. You’re not the best improvisor ever, you’re not the worst improvisor ever…there is no such thing.
  8. Don’t be someone else in class or do another improvisor, be you!
  9. Sure that guy/gal gets more laughs then you…who cares they do their improv you do yours.
  10. You’re never done being a student.
  11. There will always be a bad show, class or rehearsal no matter how many years you’ve been doing this. Grab a beer and walk it off.
  12. It takes at least 1000 shows and maybe you’ll start getting it.
  13. Play with people better than you.
  14. Watch shows, watch more shows and then when you’re done watching those shows, watch even more shows!
  15. Read, observe and live life. Don’t just be an improvisor.
  16. If you don’t get cast out of an audition it’s okay, do it again and again and again! Don’t give up.

I hope this helps you in your quest. Improv is a wonderful art filled with wonderful people. Probably the best people on Earth in my opinion. Remember, class is about trying to figure out who you are and what you can do. Performance is about trying to figure out who you are and what you can do too. So like Picasso, become the improvisor that winds up being you.

_______________________

Nick Armstrong

Nick is Camp Director and Founder of Improv Utopia an improv retreat for grown ups. He is also one of the founding members of the National Improv Network. We are always looking for better ways to serve the community. Drop us a line and let us know what you want! For more information visit: http://www.nickarmstrong.com or http://www.improvutopia.com

 

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